A trip to the museum …and a new sharpener

Thank you for the anniversary comments. I was hoping to get this blog post out by 21 November, the third birthday of this blog, but unfortunately I didn’t find the time. Anyway here’s the first blog post in the fourth year of Bleistift.

The Cumberland Pencil Museum

 

The museum

Considering that I don’t live too far away from the Cumberland Pencil Museum, both the Museum and I are in North West England, it took me quite a while to get there – but this May my wife and I finally made the trip. The weather was fantastic and the Museum managed to convey a lot of information despite being rather small. Admission is £4 (~$6.40; €4.95), but comes with a ‘free’ souvenir pencil.

How pencils are made - temporary(?) mural outside the museum. Notice the "i" in weird.

There were explanations how pencils are made and you could admire historic pens and pencil and machines. I will only show one photo from inside the museum as I haven’t asked whether they permit the posting of photos taken in the museum on the web.

On exhibition: Cumberland pencils from the 1920s

There was a pencil labelling machine, too, but unfortunately it was broken at the time …I would have really liked to get some personalised pencils.  A subsequent enquiry regarding the pencil labelling machine was not as helpful as it could have been, so I decided not to chase this up further. Maybe the machine will work again if I go there again in the future.

The Pencil Museum Shop

Obviously I couldn’t resist stocking up on pencils in the museum shop. The shop’s selection is aimed at artists, but if you use pencils for office purposes you’ll also find nice products. Pencils are from Derwent, who are running the museum, but you can find pencil related items from other brands.

The Eisen 060 sharpener, top

 

The sharpener

One of the products I picked up in the museum is the Eisen 0601. I like this sharpener because the rounded corners make it “different” while still maintaining the classic wedge shape look2. I paid £1 (~$1.60; €1.25). This sharpener’s body and blade were both made in Baiersdorf near Nuremberg. The 060′s produced in the last three years still feature the blade made in Baiersdorf, like all Eisen sharpeners, but the body is now made in Taicang near Shanghai. Performance of this little sharpener is very good, too.

The Eisen 060 sharpener, bottom

Technical Information (adapted from Pencil Revolution)
Type wedge / blade
Material Magnesium-alloy
Shavings Receptacle None
Angle 24° – 25°3
Markings “MADE IN GERMANY” (blade); Eisen logo plus “Made in Germany” (body)
Place of Manufacture Baiersdorf (Germany) and Taicang (China)

The Eisen 060, a Wopex and the Museum pencil

 

Giveaway

As this is a (belated) birthday blog post I am giving away an Eisen 060, some British-made Staedtler pencils and possible a few other small items I can find. I am happy to send the prizes to any country as long as Royal Mail doesn’t refuse to send them there. I will use random.org to get a random number and the author of the corresponding comment will get the price (unless I am the author or the comment is definitely spam). To take part please leave a comment for this blog post before Friday, 30th September 2011, 23:59 UTC.

 

Prices: May 2012

Exchange rates: November 2012

I would like to thank Stephan Eisen for providing additional information regarding the Eisen 060.

  1. Eisen changed their web site. The pages are only available in German at the moment, so unfortunately all links to Eisen are to their German product page. [↩]
  2. Eisen’s classic wedge sharpener is the 040. [↩]
  3. I measured 25°, the official figure is 24° which is also the one I used for in the list of sharpeners [↩]

Staedtler Noris 120

Top to bottom: Malaysia, Great Britain, Germany

In a previous blog post I compared three Staedtler tradition 110 pencils, made in three different factories – the one in Wales, the one in Australia and the one in Germany. Today I want to look at three different Staedtler Noris 120 pencils – made in Malaysia, Wales and Germany. I bought a dozen of the Malaysian Noris in March 2010 for £2.24 (~ $3.40; €2.78) from a Malaysian seller on eBay.

Noris presharpened, top to bottom: Malaysia, Great Britain, Germany

The only pencil from this comparison that is still in production is the Nuremberg-made Noris. The factory in Malaysia closed down two years ago and the factory in Wales closed down four years ago. You can still find Welsh-made pencils in the UK, but there are very few shops left that still have stock. I am not sure about the situation in Malaysia, but I assume most of the Malaysian Noris are also sold by now. In a previous blog post I mentioned that 2B is the most common pencil grade in Malaysia. It is so popular in Malaysia that the Malaysian Noris is only available in 2B, therefore I’ll compare it with the Welsh and German Noris in 2B.

Different caps - Top to bottom: Malaysian 2B, Welsh 2B, Welsh B, German 2B

The colour of the Noris cap normally indicates the pencil grade. The HB Noris has a red cap. Strangely enough the cap colour is not consistent. The older Welsh and Malaysian 2B Noris have black caps, while the newer German Noris, bought in April 2012 at Müller in Volkach, Germany for €0.59 (~ $0.73; £0.47), has an orange cap, similar, but a slightly lighter in colour than the orange cap of a Welsh Noris B.

Noris sharpener (511 004) and two wedge sharpeners (510 10 and 510 50)

Which eraser could be most suitable to sharpen a Noris? None other than the Staedtler Noris sharpener, of course. Bought at Currys / PC World in Preston, when they tried to get rid of their stationery in December 2011 this sharpener was part of a ‘study set’ that came with 2 Noris HB, one Staedtler Mars plastic eraser and the Staedtler Noris sharpener for £1.17 (~ $1.79; €1.45). The blister pack says “Made in Germany”, but the wedge sharpener in the Noris sharpener is made in China, or at least the the metal body of the sharpener inside is. I wonder why Staedtler put a metal sharpener in there. Most people probably wouldn’t notice and Staedtler sells plastic sharpeners with the same form factor that could have been used in the Noris sharpener to keep the price down…

The W wedge sharpener in the Noris sharpener

The bottom of the metal sharpener 510 10 in the Noris sharpener features a ‘W’, which indicates that this sharpener is one of Staedtler’s newer sharpeners, optimised for use with the Wopex. It has a sharpening angle of 23°. The thickness of the shavings produced by the Wopex-optimised sharpener is the same as the one by the older model, usually just under 0.3 mm. I assume the difference is in the way the blade has been sharpened.

The older 510 10 wedge sharpener

I used a notepad from Brunnen1 to compare the different leads in terms of smoothness, reflectiveness, darkness, erasability, graphite transfer to another page and how long they keep the point. As far as I can tell the three different Noris perform very similar. The graphite from the Malaysian Noris might transfer a bit easier to another page, e.g. in a diary, but it’s only every so slightly worse than the other two Noris pencils.

No bar code on the Malaysian Noris

In terms of exterior appearance the Welsh and German Noris are nearly on par, with the paint on the Noris from Nuremberg being slightly more even. The paint of the Malaysian Noris is however much worse, but still better than the no name or own brand pencils you usually get in super markets. The Welsh Noris has a diameter of 7mm, which is slightly more than the 6.9mm the Malaysian and German pencils have.

For me the Noris is THE typical pencil. Previous blog posts showed the Noris being featured on TV. Today I want to add two more screen shots. One from Episodes, where Sean Lincoln (played by Stephen Mangan2 ) is using a Stadtler Noris in the USA, even though it isn’t officially on sale in the USA. The character must have brought it from the UK, the desk is full of Noris pencils ..or, in the real world, this scene might have been filmed in the UK.

Episodes (Image © Hat Trick)

The other screen shot is from episode 705 “Liebeswirren” of German/Austrian/Swiss crime TV series Tatort. One of the actors in this episode from Munich was Christoph Waltz of Inglourious Basterds fame.

Tatort (Image © Bayerischer Rundfunk)

Exchange rates: June 2012.

I believe that the use of the following images falls under “fair dealing” as described by the UK Copyright service:

  • The screen shot of Stephen Mangan and the Staedtler Noris, taken from episode three of the second season of the TV series Episodes
  • The screen shot of Udo Wachtveitl and the Staedtler Nori, taken from the Tatort #705  Liebeswirren
  1. bought in August 2011 at McPaper in Schweinfurt, Germany for €1.19 (~ $1.46; £0.96) [↩]
  2. …who recently, as Dirk Gently, used a Faber-Castell Grip 2001 [↩]

Staedtler UK

The 100th post at Bleistift. I thought I should make an extra effort for this blog post, so there will be the first ever giveaway at Bleistift (oh, go on then, scroll down to find out more about the giveaway before you read the article). Today’s post will look at the history of Staedtler UK. It is a follow-up post to the Staedtler Tradition1 110 post from March 20102.

By Appointment to the Late King George V

1790 – 1920 Wolff and Cohen

Elias Wolff

The history of Staedtler in the UK seems to date back as far as 1796. As far as I can tell this was the year when Elias Wolff, aged 15, started his career as a pencil maker. In 1822 he officially started his own company and by 1840 his son was on board and the name of the company changes to Elias Wolff and Son.

Why London?

The company was based in London, which is not surprising. The UK was and is very centralised and in the past graphite mining and production was controlled by the crown. Graphite had to be transported all the way from Cumbria to London, to be sold or auctioned. Soon Flemish traders were supplying graphite to all of Europe and the Society of Mines Royal asked the family of Höchstetter to apply their Bavarian mining techniques to make mining more efficient.

Solomon Cohen

Solomon Cohen, another pencil maker, was born around the same time as Elias Wolff. When his son Barnet Solomon Cohen took the business over he started trading as B.S. Cohen. In 1919, at a time when England had some of the best pencil factories in the world, B.S. Cohen and E. Wolff and Sons merged. The name for the new company: Royal Sovereign Pencil Co.

… and Napoleon?

These were turbulent times. Elias Wolff and Solomon Cohen were born around the time of the French Revolution and worked as pencil makers while the war between Britain and France and the Napoleonic Wars were going on.

Paulus Staedtler

Paulus Staedtler, another pencil maker, was born in 1779, in Nuremberg. Turbulent times there as well: Prussia took Nuremberg over before, in 1806, Napoleon’s army gave the city to their ally Bavaria – not long before all of Franconia was annexed to Bavaria in 1815. In 1835 Paulus’ son Johann Sebastian Staedtler started his own factory, the company we know today as Staedtler.

1919 – 1992 Royal Sovereign Pencil Co

The Royal Sovereign Pencil Co started life in 1919 and was renamed to Royal Sovereign Group Ltd in 1974, just before the factories where taken over by Staedtler. Strangely enough the names Wolff and Royal Sovereign never belonged to Staedtler. I have to assume that the new Royal Sovereign company only held on to the names and maybe some other intellectual property rights, not to any hardware. As far as I can tell, based on information provided by Companies House, the United Kingdom Registrar of Companies, the company was taken over in 1987. It took me a while to figure out that the company that took over the rights to the trademarks etc must be the Dickinson Robinson Group, a company that pioneered a number of innovations in paper-making in the 19th century. In 1989 this group was then taken over by Pembridge Investments, around the same time the rest of Royal Sovereign became part on Nontradorm, before the rest of the Royal Sovereign Group was officially dissolved in 1992. The names “Wolff” and “Royal Sovereign” do however live on. A family owned business, West Design Products, somehow got hold of the rights to the names Wolff and Royal Sovereign and sell Indonesian-made pencils under this name. A first attempt at contacting West Design Products nearly twelve months ago was unfortunately left unanswered, as was a subsequent attempt, so I was not able to find out how these traditional names came into their possession and whether their pencils are made in Staedtler’s Indonesian factory.

West Design's Wolff's Graphite Sketch Set

1975 – 2009 from Royal Sovereign to Staedtler UK – how the pencils changed

RS Bonded

In April 1966 Royal Sovereign started to produce two different types of Staedtler pencils in Pontyclun, Wales. The early Staedtler Tradition 110 pencils made there had “RS – Bonded” printed on them. The factory still made Royal Sovereign pencils and they, too, had “RS – Bonded” printed on them. These early Staedtler Tradition pencils were pre-sharpened on the right side, i.e. looking at the pencil with the print facing up, the right side of the pencil has been sharpened. The RS Bonded version hexagonal, like all other Tradition 110s, and mainly red. The cap has the typical Staedtler look, but only the side of the pencil with the gold letter print is painted black. All other sides of the pencil are red with a thin black strip in the middle.

Bonded

The next generation of Welsh-made Tradition 110 pencils is pre-sharpened on the left, the same way as nearly all modern pencils. This means that the text on the pencil is not upside down if the pencil is held in the right hand, as was the case with the RS Bonded version. The black and red pattern changed, too, and is identical to modern Staedtler Tradition 110s. The side with the print and the opposite side are black. The other fours sides are red with a black strip between two adjacent red sides. For this generation the stamped text “RS Bonded” has been replaced with “Bonded”.

Jet Bonded

The next generation of Tradition 110 pencils was probably released around 1972, a few years before Staedtler bought the factory in Pontyclun in 1975. This is the first generation of UK Tradition 110s, where the glue has been applied by a machine. Previous version had the glue applied manually. The print changed from “Bonded” to “Jet Bonded”.

Barcode S

I am not sure whether there has been a generation3 of Tradition 110s between the previous Jet Bonded version and the next version that features a bar code. It is more than likely that this version of the Tradition 110 was released in 1990 or shortly after.

Last generation

You can still find the last generation of the Tradition 110 made in Pontyclun in some shops that have old stock. This generation was in production until the factory was closed in 2007/2008. Around the same time, in 2008/09, the rest of Staedtler UK moved to nearby Bocam Park, about five miles West of Pontyclun.

Australia

Royal Sovereign had two factories, one in Pontyclun, South Wales (UK) and one in Sydney, New South Wales (Australia) and when Staedtler took over they bought both factories.  Unfortunately, the one in Dee Why (Sydney) closed down nearly 40 years after it opened, around the same time as the one in Pontyclun. Another Staedtler plant that was closed shortly after was the one in Pahang, Malaysia. Products previously manufactures in Australia and Malaysia are now made in Thailand (pens) and Indonesia (pencils). It is a real shame that these factories had to close down.

Pencils can last a long time. On several occasions I took a whole day worth of notes using a Staedtler Mars Lumograph F without having the sharpen the pencil the whole day. In comparison some other pencils wear down really fast, a Dixon Ticonderoga for example, or most of the Korean pencils I know4. Even the ones that wear down fast are usually good value for money, the ones that last longer often cost a bit more, but are even better value for money. In a time when many consumers will buy the cheapest pencil they see in the supermarket it must be difficult for the established, high quality pencil manufacturers to keep smaller factories and factories in high wage countries alive. I hope that in the future consumers will not just buy any old, scratchy pencil, but a good one, so that these factories can stay open as long as possible.

Pencil and ballpoint pen from Staedtler UK, sharpener from KUM

I hope you enjoyed reading this post. There was more I wanted to include, but this post starts to get a bit too long, so I will write more about Staedtler’s popularity in the UK another time. If you have further information about Staedtler UK’s history or pencils, not mentioned here, or if you find any mistakes please let me know.

Giveaway

After I heard that Staedtler’s Welsh factory closed down I started buying pencils from this factory in different shops. To celebrate the 100th blog post I am giving away three prizes, they are not worth a lot (check penciltalk’s anniversary post: How much is my pencil worth? Probably nothing! …but they were made in Staedtler’s UK factory in Pontyclun).

You can win…

  • A dozen Welsh-made Staedtler Noris. You can choose between the rubber-tipped version (Noris 122 HB) or the version with the traditional Staedtler cap (Noris 120 HB)
  • A pack of six  Welsh-made sketching pencils
  • A blister pack with three Welsh-made Staedtler Tradition 110s

I am happy to send the prizes to any country as long as Royal Mail doesn’t refuse to send them there. I will use random.org to get a random number and the author of the corresponding article will get the price (unless I am the author or the comment is definitely spam, e.g. advertising for medicine, …). To take part please leave your comments before Friday, 8th July, 23:59 UTC.

I bought West Design’s Wolff’s Graphite Sketch Set in September 2010 from Granthams in Preston for £4.25 (~ $6.80; €4.70). The Sketching pencils set with six pencils (B – 6B) used to sell for £1.70 (~ $2.70; €1.90) in Granthams and for £3.70 (~ $5.90; €4.10) in Paperchase. All the old Staedtler Tradition 110 pencils are from shops in and around Lancashire. The oldest ones are from a corner shop about 200 yards from my home.

Exchange rates: July 2011

If you want to read more about Staedtler UK’s pencils…

You can find more information about…

I would like to thank my colleague and business historian, Dr. Mitch Larson, who gave me very useful information and suggested contacting Companies House, a registrar I hadn’t been in contact with for ten years.

  1. Last time I spelled Tradition lower case, as printed on the pencils, but for this post I decided to consistently start with a Capital. [↩]
  2. A post that mentioned that Stephen Wiltshire is using the Staedtler Tradition. Twelve months later Staedtler managed to get his support for their pigment liners. [↩]
  3. or several generations [↩]
  4. This is not meant as complaint. These pencils have other advantages, e.g. a very dark line [↩]

Staedtler tradition 110

When it comes to the recognition value of their pencils there is one company that – in my opinion – does by far the best job: Staedtler. Compared to other companies in this industry Staedtler is quite unusual as the company belongs to the Staedtler foundation whose main purpose is the promotion of scientific research… but I digress. Let’s get back to the pencils: As much as I like to use pencils from other companies, the Faber-Castell 9000 for example, for me the archetype of a pencil is the Staedtler Noris, available in two versions: as the 120 (without eraser) and as the 122 (with eraser).

The Noris is a pencil that is very common in Europe, but I would not say that it dominates the market. Noris as a brand name for pencils has been registered in 1901 and the name Noris itself is closely related to Staedtler: the nymph Noris is the personification of Nuremberg, the city where Staedtler has its headquarters. The Noris pencil is definitely quite popular in Germany. In UK it is also quite popular: in supermarkets you can usually find at least two types of pencils, often more, but a no name pencil and the Staedtler Noris seem to be the common denominator.

Somehow the look of the Noris is easy to remember, but this is not a feature unique to the Noris: Staedtler also did a great job in that respect with some of their other pencils: the tradition and the Mars Lumograph. These three models are instantly recognisable and unless you count the yellow Koh-I-Noor1 they seem to be the most copied pencils in the world.

Stephen Wiltshire, using a Staedtler tradition, on BBC's Top Gear (Image © BBC)

 

The look of some of the most popular pencils in India, the Reynolds 432, the Nataraj 621 and the Doms Ajanta, seem to be based on the Staedtler tradition, as is the look of the Chunghwa 6151, reviewed at pencil talk as well as countless other copies. You can also come across the tradition in the media. In a recent episode of Top Gear for example, Stephen Wiltshire was using a Staedtler tradition for his drawings.

Icon in Okular (Image © Okular)

The Staedtler Noris was the antetype for the Chunghwa 6181, reviewed at oh! super tooth, but even though the Noris has probably been less often copied than the tradition and the Mars Lumograph, it can be seen on TV more often, usually used by somebody who is probably not even aware what make or model it is. In one episode of Black Books the main character is using a Noris to control who is allowed to talk. I just saw the Noris again last week in a BBC documentary unrelated to pencils, and I see an icon that looks like the Noris on a daily basis in Okular, the document viewer in KDE 4.

Slightly younger than the Noris, with Mars being registered as a pencil brand in 1900, but with the Lumograph being released about 30 years later, the Mars Lumograph would probably have to top the list when it comes to how often the look of a pencil has been copied by no name pencils. I have seen no name pencils with the look of the Mars Lumograph, but without any writing on it countless times. Sometimes you can also see copies of this pencil with the name of the manufacturer on it, e.g. the Chunghwa Drawing pencil, reviewed at Blyantsiden (Google translation) or the Medicise Drawing pencil 9002. Of course the Mars Lumograph also got its fair share of TV presence. Just to name one example, there is a Derrick episode from the Seventies where a secretary is using a pencil, unmistakably a Mars Lumograph.

Top to bottom: Great Britain, Australia, Germany

 

The distinct look of the Staetdler pencils makes recognising them so easy. This must surely be an important factor that influences the decision of customers when they are in front of a shelf of pencils and need to decide which pencil to buy.

Unfortunately Staedtler stopped producing pencils in Australia and Great Britain, but some shops still have stock left that was produced in these two countries. You might know where this is going… After this really long-winded introduction I will now compare Staedtler pencils from different countries, to be more precise: I will be comparing the Staedtler tradition 110 from Australia, Germany and Great Britain. For this comparison I used recently produced pencils from the three different factories. It would be wrong to assume that there is no variation in the production, so please do not take this comparison too seriously.

Top to bottom: Great Britain, Australia, Germany

 

When comparing the different HB versions2 you can see that the Australian version has the thinnest layer of paint. I have to say that I actually like it, because you can see the texture of the wood through the paint. On a negative note I also have to add that the Australian pencils (all grades) have the paint applied less consistently. All pencils came pre-sharpened, but the pencil from the German factory has been pre-sharpened using a different method than the other pencils. The pencil from Great Britain is definitely softer than the other two. It also smudges a bit more. When I tried to erase all three using the Mars plastic eraser pen (528 50) there was no real difference between the different pencils.

Different tradtitions on Brunnen Kompagnon Anno 1877 paper

 

Comparing the Australian 4B and the British 4B I also thought that the British pencil was a tick softer, but this was definitely not as noticeable as it was for the HB pencils. Using the Mars plastic eraser pen the Australian 4B was maybe a bit easier to erase than the British 4B, but again there was not a big difference.

Different tradtitions on Brunnen Kompagnon Anno 1877 paper

 

Conclusion: The tradition is a really good pencil. I am not sure why, but the German Staedtler web site lists the tradition in the artist category, not in the category for pencils used for writing. Nevertheless the tradition is very suitable for writing. Stock of Australian and British tradition pencils will be exhausted soon, so get some while you can …not that the performance of the German tradition is worse, but if you just spent a few minutes reading this post you must be pencil-crazy enough to want the Australian and British version as well.

Click to see full size

Click to see full size

Links:

Acknowledgements:

I would like to thank David from Dave’s Mechanical Pencils for the selection of Australian pencils, including the Staedtler tradition, he sent me.

The photo of Stephen Wiltshire using a Staedtler Tradition has been taken from Top Gear Episode 5 of Series 14. I believe that the use of this image falls under “fair dealing” as described by the UK Copyright service.

The pencil icon has been taken from Okular, the document viewer in KDE 4.

  1. which was not the first yellow pencil, but seemed to have sparked the popularity of yellow pencils in America [↩]
  2. Even though I have most grades of the British (actually Welsh to be precise) and of the Australian tradition I only have the HB version of the German tradition. [↩]