Faber Castell E-Motion Pencil and Fountain Pen

Both E-Motion pens on a teNeues Explorer Journal Hay Harvest.

Both E-Motion pens on a teNeues Explorer Journal Hay Harvest.

It took quite a while before I bought my first Faber-Castell fountain pen. Now, only a few weeks after, I had the opportunity to try another Faber-Castell fountain pen, as well as the mechanical pencil from the same line.

I have been recently contacted by Anna from The Pen Company who asked me whether I would like to review a pen from their shop. In the end James from The Pen Company was kind enough to not only to send one, but two pens I had picked: the Parquet Ivory fountain pen and the Parquet Ivory mechanical pencil from Faber-Castell’s E-Motion line. I was also able to try Faber-Castell’s wooden Castell 9000 style 4GB USB stick out. As part of a promotion you get one of these USB sticks with orders of all Faber-Castell pens while stocks last.

Both pens come with an ivory coloured “precious resin” barrel. The parquet pattern on the barrel has been produced using laser etching, a technique often used for keyboards. There is a tiny burr visible on the barrel if you look hard. This burr is slightly more pronounced on my fountain pen, but it is really small. Most people wouldn’t even notice it.

The laser-etched Parquet pattern and Faber-Castell logo on the pencil

The laser-etched Parquet pattern and Faber-Castell logo on the pencil

The mechanical pencil

Lead width

The mechanical pencil accepts 1.4mm pencil leads and comes with B leads. Size-wise these are between Yard-O-Led leads and the leads used in leadholders. I assume that unlike leadholder leads, which are usually sharpened, the Faber-Castell leads are not supposed to be sharpened, as I haven’t seen a dedicated lead sharpener from Faber-Castell. My handwriting is very small, which means that even if I frequently rotate the pen the lines get too wide and I have to starting writing bigger letters – but the lead size might be just right for someone with a bigger handwriting.

Propelling the lead

The eraser under the cap

The eraser under the cap

To propel the lead you have to turn the cap clockwise. Similarly you can get the lead back into the body of the pen, e.g. when putting the pen in a pencil case, by turning the cap anticlockwise. This is different to twist-based mechanisms where turning will unlock and advance the lead. The E-Motion‘s lead stays ‘locked’ all the time.

The eraser

There is also an eraser under the cap. As expected for the big size of the pen’s body this eraser is bigger than what you usually find in mechanical pencils.

Replacement leads

The lead storage under the grip

The lead storage under the grip

When you unscrew the cap you can find a storage area on the side of the body that should be able to hold six to eight replacement leads. Unfortunately I couldn’t try out how many exactly will fit as I didn’t have enough leads of this size.

Conclusion

A very nice pencil. The spring-type clip is very nice. There is a big eraser for emergencies and the pen can hold several spare leads despite the big diameter of the leads. If normal pencils are to thin or light for you this might be a great alternative, as long as you don’t mind the width of the lead.

The fountain pen

The fountain pen comes with a big and heavy screw cap, that has a nice spring-type clip, like the one found on the pencil. The nib is stainless steel, available in F, M and B. I chose the F nib as it fits best with my handwriting. The pen accepts standard cartridges and comes with a converter.

The laser-etched Parquet pattern on the fountain pen. There is no etched logo. The logo is embossed on the cap.

The laser-etched Parquet pattern on the fountain pen. There is no etched logo. The logo is embossed on the cap.

The nib and its performance on paper

The bleed through compared to a Lamy Safari, here on Silvine paper.

The bleed through of the E-Motion compared to that of a Lamy Safari, here on Silvine paper.

The nib is nice and smooth and writes well on all types of paper. I found that the writing experience is above average on really poor paper. When it comes to average paper performance is good, but not as good as some other fountain pens. I used the E-Motion with Diamine’s Sapphire ink, a very well behaved ink. On average quality paper, in this case a Yokrshire-made exercise book from Silvine, there is no feathering at all – but there is some bleed through: it’s much less than the bleed though you get with a wet Noodler’s Konrad, a bit more than with a Pelikan M215 EF and more than with a Lamy Safari F, which doesn’t produce any bleed through at all. The bleed through issue be easily fixed by using different paper or by trying to make the nib drier1.

When freshly uncapped I never had any problems with skipping, unlike my experience with some other, more expensive fountain pens, like the Cross Century II. The cap-off time time of the E-Motion is however shorter than some other fountain pens. Left uncapped it tends to dry and start to skip when starting to write again after two minutes non-use, which might be a problem when taking notes in a meeting or in some other situations (classroom, writing comments, …)2.

Conclusion

A very nice fountain pen. It is heavier than many other fountain pens and the grip section doesn’t provide as much grip as some other fountain pens. I think it’s a great fountain pen for constant writing. If you want a pen more suitable for meetings or other situations where you only write occasionally the short cap-off time means that a Faber-Castell’s Basic or Ambition fountain pen might be more suitable as it’s easier to cap and uncap these pens. If you want a pen with a more “substantial” feeling to it the E-Motion might just be the right pen.

Both E-Motion pens on a teNeues Explorer Journal Hay Harvest.

Both E-Motion pens on a teNeues Explorer Journal Hay Harvest.

Giveaway

I was very happy that Anna and James from The Pen Company sent me these pens, but it’s time for the two pens to find a new home. For a chance to win the the mechanical pencil or the fountain pen please leave a comment at this blog post, telling me which type of pen you normally prefer (pencil, mechanical pencil, fountain pen, roller ball, ballpoint pen or whatever it may be). It would be nice if you explain why you prefer that type of pen, but that’s not necessary to be eligible to win. If your favourite type of pen is not the one you want to win, e.g. you might prefer pencils, but you’d like to try a fountain pen for a change, please state that in the comment, too.

I am happy to ship to any country as long as Royal Mail is delivering to that country. The UK’s National Stationery Week runs from 22 – 28 April, so the closing date for the giveaway will be 28 April 23:59:59 BST. To determine the winner I will go to random.org and will get a random number. The corresponding comment will win the pen of choice (either pencil or fountain pen) unless it’s a comment from me or it’s obviously spam (think ‘cheap Rolex’ ads) …in which case I will get a new random numbers until there is a winner. I will then get another random number to determine the winner of the other pen. Similar rules: the corresponding comment will win if the pen left is their pen of choice – unless it’s a comment from me, a comment from the first winner or it’s obviously spam. I will draw new random numbers until there is a winner. As long as you write meaningful comments, e.g. as part of a ‘discussion’, you can leave more than one comment and the comments will not be counted as spam.

If you want to win an even better pen: as part of The Pen Company’s Spring Poetry Competition you can even win a Graf von Faber-Castell Guilloche Fountain Pen in a choice of colours.


I’d like to thank Anna and James from The Pen Company for giving me a chance to try these pens out.

You can find a review of another Faber-Castell E-Motion pencil at Dave’s Mechnical Pencils.

You can find reviews of other Faber-Castell E-Motion fountain pens at Fountain Pen Geeks and From the Pen Cup.

  1. Instructions how to do this can be found on the Internet. []
  2. This is obviously dependent on temperature, humidity, etc. – but as a comparison: in the same conditions a Lamy Safari can be left uncapped for 5 minutes or longer without any skipping when starting to write again. []

The search for the pencil cedar

You might remember my 2011 blog post about the Schwanberg and the pencil cedar. If you visit the castle grounds, mentioned in that blog post, you’ll have a chance to look for the pencil cedar as part of an organised tour this Sunday.

 


Two more blog posts that mention the pencil cedar:

Schön gespitzte Bleistifte from Lexikaliker

and Juniperus virginiana

 

The newspaper article has been taken from the Kitzingen Section of the Main-Post newspaper from 14th February 2013. I believe that the use of the fax of the article in this blog post falls under “fair dealing” as described by the UK Copyright service.

Double fine pencils

The Castell 9000 in action (Image © 2 Player Productions)

Even if you are not interested in video and computer games you might have heard about Double Fine Adventure, a game that raised more than $3 million on Kickstarter this February – an amount of money unheard of in crowd funding until the Pebble watch came along.

Scott Campbell using a Castell 9000 (Image © 2 Player Productions)

One of the artists working on the artwork for the new game is Scott Campbell.

Scott Campbell using a Castell 9000 again (Image © 2 Player Productions)

In the Double Fine Adventure documentary by 2 Player Productions he can be seen using a Faber-Castell Castell 9000 for his sketches.

Scott Campbell still using a Castell 9000 (Image © 2 Player Productions)

 


The images in this blog post have been taken from Episode 4: “Walking Around in Our Drawings” of the Double Fine Adventure documentary by 2 Player Productions. I believe that the use of the images shown in this blog post falls under “fair dealing” as described by the UK Copyright service.

Dirk Gently and the Grip 2001

Another screenshot, this time from Episode 1 of the Dirk Gently TV series1. There are several pencils in this episode. One of them is easy to identify and plays an important role: it’s being used for shading paper to reveal a message.

Dirk Gently and the Grip 2001 (Image © ITV Studios / BBC Cymru Wales)

 

The TV series seems to be loosely based on the book, with different episodes picking up different plots from Douglas Adams’ book (at least that’s the impression I have so far, after watching the pilot and episode 1. Future episodes might be different).

 

If you want to know more about Faber-Castell’s Grip 2001 pencils have a look at pencil talk’s review. There’s also another review at Pencil Revolution.

 

Update: 11 March 2012: Today would have been Douglas Adams’ 60th birthday.

 


The photo of the pencil has been taken from episode 1 of the Dirk Gently TV series. I believe that the use of this image falls under “fair dealing” as described by the UK Copyright service.

  1. Episode 1, I thought, was not as good as the pilot from 2010 []

Graphite transfer and the Wopex

Today: another blog post about one of the items I have received from Office Hero, the Staedtler Wopex. You might remember my previous two blog posts about the Wopex, one was looking at the Wopex 2B and 2H and one was comparing different eco pencils. Office Hero sent me a pack of twelve Wopex as a free sample. Their normal price is £4.01 (~ $6.35; €4.60) plus VAT.

Why another blog post about the Wopex? The Wopex has one property I really like, even though there are actually also a few things wrong with the Wopex. Back to the characteristic I like, which is why I pick this pencil more and more often when making entries in my diary. The reason is simple and has been mentioned by Koralatov in a recent comment: there’s hardly any graphite transfer between different pages when writing on the reverse. I use my diary to keep track of appointments and to record things that need doing. Graphite from soft pencils will transfer easily after something has been written on the reverse or on the next page, which will in then look very unsightly. Even though you can get graphite from the Wopex to transfer to another page if you want to, as seen on the photos, this transfer is usually not happing under normal circumstance and is therefore not a problem.

Graphite comparison in a Castelli Academic Diary

 

I think the Wopex has great potential, but it also has a few flaws which I want to mention.

  • The “fibre Wopex material” is too hard, so I use dedicated sharpeners in my office and at home, just for the Wopex. The “fibre Wopex material” is also too hard for rotary blade sharpeners.
  • If you sharpen the Wopex to a very fine point the point will break easily.
  • Small bits of the “fibre Wopex material”, close to the lead, can crumble off when sharpening.
  • There doesn’t seem to be a difference between the Wopex 2B, HB and 2H.

There are quite a few other issues, but mentioning them all would distract from the main issue I want to address here: Wopex‘s great lead that is a very good choice for diaries.

Top-bottom: Mars Lumograph HB, F, Castell 9000 HB, 2B, Technograph B, Wopex HB, Mono HB, Ticonderoga HB

Let’s look at the results from my (unrepresentative) graphite transfer test, conducted by writing on one page, putting the next page on top and applying pressure to the reverse of the next page1. Harder and lighter leads do better than softer and darker leads – no surprise here. The best pencil in my comparison was the Staedtler Wopex HB, followed by the Caran d’Ache Technograph 777 B, which has previously been reviewed by penciltalk. The worst pencils in this test were the Tombow Mono 100 HB and the Amos Dixon Ticonderoga HB. This was obviously due to their softness which does however bring other advantages, e.g. better pressure/darkness ratio – I do however prefer a tidy diary and do tend to use the Tombow and Dixon only when smearing, smudging and graphite transfer don’t matter.

 


Price and exchange rates: October 2011.

I would like to thank

The comparison has been conducted in a Castelli Academic Diary my wife got from her employer. I use a no name  academic diary from my employer, which has very different paper. My initial impressions are that graphite-transer-wise good pencils behave better in my diary, but bad pencils behave worse.

  1. The effects can be stronger when applying pressure directly to the reverse of the page you wrote on. []

A.W. Faber Castell Jubilator

Two of the Castell 9000 Jubilator tins

Our favourite count certainly knows how to to party like it’s 1761, but in terms of products celebrating Faber-Castell’s 250th anniversary there hasn’t been a lot. The anniversary pencils, discussed at pencil talk, seem to be the best products so far. Artists might like the set of coloured pencils, limited to 1761 boxes, and if you have a bit more money to spare the Elemento pens, released for the anniversary, might be just the thing for you, but they are out of reach for most of us.

1983: 222 years Faber-Castell, 2005: 100 years Castell 9000

 

Let’s have a look at Faber-Castell’s 222nd anniversary in 1983. Back then pencileers, molyvophiles1 and molyvologues2 had more than enough reason to celebrate. I wonder whether there was a corporate party for their business partners in 1983, too. Personally, I prefer nice anniversary products, but that’s rather selfish, Faber-Castell business partners will probably prefer the party.

Click to read (subject to screen resolution)

Why is the 222nd anniversary so important? I don’t know. I certainly don’t know why there have been more exciting products back then than in the 250th anniversary year so far. In my experience people from German-speaking countries place more importance on Schnapszahlen (repdigits) than people from English-speaking countries. You might argue that a repdigit is not very important, but then a ’round number’ is actually not that exciting any more once you change to another positional notation3.

The Castell 9000 Jubilator pencils

Faber-Castell released six different limited-edition tins for the Schnapszahl anniversary, featuring the following images: ‘The Nile Pencils’, ‘Railway Pencils’, ‘Aristocratic’, ‘The Caravan Pencils’, ‘Landscape Pencils’ and the picture with the jousting knights, previously discussed at pencil talk. Leadholder has more information about this picture – a mirrored version has  been used on pencil tins in the early 20th century. The jousting knights image has also been used for a special box from the same year, containing one gross, i.e.12 dozen, Castell 9000 pencils and limited to 2000 boxes, and it has been used again in 2005 for a special tin commemorating the 100th anniversary of the Castell 9000.

  1. Someone passionate about pencils []
  2. A student of pencils []
  3. 25010 = 3728 = FA16 = 111110102 []