Restoring a grenade

…the sharpener called grenade, not a real grenade.

Or should that be ‘How not to restore a grenade’? – you’ll see why.

The age and the name of this sharpener even fit with the current 100th anniversary of Britain’s involvement in WWI, which is being commemorated on a national and on a local level – with local museums and libraries in and around Preston (where I live) taking part.

The grenade sharpener design has been around since 18471 and is still being sold today. I got a modern one, which Lexikaliker got me five years ago when I wasn’t able to get one in the UK.

Before cleaning

Before cleaning

Cleaning

A few days ago I also got my hands on an old version – I was lucky enough to get one for a good price.

First task: clean it. I bought the metal polish used during a previous trip to Germany, after a tip from Lexikaliker on how to clean old brass.

Old Grenade

Before cleaning

Problem

Unfortunately something went quite wrong. There was a band of oxidisation after I left the sharpener in the metal polish over night. It now looks as if there’s a dent where this band was. Brass is missing in this dent, which is difficult to see on the photos, but quite obvious in reality.

After cleaning

After cleaning. Look between the R and the A to see the problem.

I have two ideas as to what might have caused this.

  1. The brass composition was different where this band /dent is, so the polish could ‘erode’ the material there. This explanation seems unlikely.
  2. I shouldn’t have but the blade and the screw in the same polish. Maybe the metal somehow reacted with the polish which made it ‘corrode’ the brass.

Ok. I got to live with my mistake now, but if I ever get another chance I will keep the blade and screw separate.

Next problem: The blade. It seems slightly too short to cut into the wood. I’ll talk about that another time.

After cleaning

After cleaning. The problem is visible on this side, too.

 

  1. see Lexikaliker: Granate []
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Lamy scribble

This is my second blog post about pencils that The Pen Company sent to me1. The original blog post can be found on their blog.

 

Me and Lamy, Lamy and I

You might not have guessed, because of the lack of Lamy posts on Bleistift, but Lamy is one if the stationery brands I feel strongly connected to. It all started about 1985 when I got my first Lamy Safari fountain pen. From that point onwards I only used Safari fountain pens in school. After I left school I didn’t use fountain pens on a daily basis any more and temporarily lost my link to Lamy. I did buy the occasional Lamy pen, though, until finally, in 2008, I rediscovered Lamy as one of my favourite brands after I got a Lamy 2000 fountain pen.

Lamy scribbles

The 0.7 mm version (top) and the 3.15 mm version (bottom) of the Lamy scribble.

 

Volker Albus, architect and designer: Just think of his Scribble writing set for Lamy. Seldom have the central functions and haptic requirements of such a twist action pen been translated so precisely and at the same time unmistakably into an aesthetic vocabulary.
Studio Hannes Wettstein (2011, p. 151)

Lamy and pencils

I was quite excited when Lamy’s wood cased pencils came out in 2010, even though, for my taste, they are a bit too soft for daily use. I have also bought a few of their mechanical pencils and I have been tempted on several occasions to buy a Lamy 2000 or  Lamy scribble mechanical pencil. So, naturally, I was very excited when I received two Lamy scribble pencils from The Pen Company, the Lamy scribble 0,7 2 Mechanical pencil and the Lamy scribble 3,15 Mechanical pencil. Because of its width I’d actually call the 3.15 mm version a lead holder, but I’ll go with the official name here, according to which it is a mechanical pencil.

 

The design – the process

First computer designs and prototypes of the scribble were created in 1997 by Swiss designer Hannes Wettstein, one of Switzerland’s most important designers3. This was followed by two more prototype series in 1998 that lead to the final drawings in 1999. I’ll write more about the design later in this blog post. Overall, the development time of the scribble took less than two years.

Scribble 0.7

Lamy scribble 0.7 mm cap

 

The design – the colours

The current version of the scribble features what I tend to see as a classic colour combination: black and silver. It is a colour combination that I associate with simple design that follows functionality. Interestingly enough many of the great black and silver products I can think of feature a similar distribution between the two colours: lots of black and a bit of silver – and they also try to avoid unnecessary design elements that don’t contribute to the products function.

Black and Silver

Black and Silver (Braun, Lamy 2000, 2x Lamy scribble, Leica – unfortunately I couldn’t fit an iMac into this picture as well)

Another version of the scribble was available until 2010. Instead of fittings with a palladium finish it featured fittings in black chrome4.

 

Hannes Wettstein's early sketch of the scribble

Hannes Wettstein’s early sketch of the scribble

 

 

The design – the shape

The bulge in the middle of the short shaft makes SCRIBBLE a highly ergonomic tool. Its ergonomic quality is further enhanced by the flat surfaces, which are cut into the shaft. These flats also prevent the pen from rolling away.
Studio Hannes Wettstein (2011, p. 222)

With 10 mm – 13 mm5 diameter the grip section of the scribble certainly has a wider than average diameter. I read in the past that wider grips on pens relieve writing stress and fatigue. I have to emphasise that I didn’t see any such claim from Lamy or Studio Hannes Wettstein, but after having used the scribble for a while I found that writing with another mechanical pencil with a much narrower grip felt much less comfortable, compared to the scribble. Even though the grip section is quite wide the tip is rather slim. This makes it possible to write using with a more acute angle.

 

Lamy scribble 0.7

Lamy scribble 0.7

 

The design – awards

It doesn’t come as a big surprise that such an excellent pencil won several awards.

In 2001 the scribble won the Design Plus award in Frankfurt and in 2002it won the  if award in Hanover.

 

Lamy scibble 0.7

Lamy scibble 0.7

 

The 0.7 mm version

The 0.7 mm version can hold up to 6 leads (if you wiggle the pen a bit to get them all in). It also features a small eraser under the cap that comes with a pin / clean out rod. Each click will advance the lead by about 0.9mm, which is suitable for a 0.7 mm lead.

 

One of the grooves on the body of the 3.15 mm version

One of the grooves on the body of the 3.15 mm version

 

The 3.15 mm version

The 3.15 mm version has three grooves along the body of the pen. I first thought they are there to support rotating the pen to use up the lead evenly, but they are not close enough to the tip for this, so I assume the grooves are there to visually distinguish the 3.15 mm version from the 0.7 mm version version of the pen. The pen comes with a 4B lead. a bit soft for my taste and unfortunately Lamy only sells refills in 4B, but you can get harder leads from other manufacturers. I assume that slightly thinner leads, like Caran d’Ache’s 3 mm leads will also fit. As far as I know Lamy does not offer a suitable sharpener. So far I have sharpened the lead using a KUM Automatic Long Point sharpener.

 

Scribble 3.15

Lamy scribble 3.15

 

Clip and mechanism

Both pens feature a sheet metal clip that can be removed. With 0.65 mm the sheet metal clip is thicker than that of your average pen. Most clips are bent on the corners to give the illusion of volume, but the scribble‘s clip is really that thick. According to Simon Husslein from Studio Hannes Wettstein designing and producing this clip was quite a challenge. I certainly believe that as I was not able to find another pen in my collection with such a thick sheet metal clip.

The lead holding mechanism seems to come from Schmidt. It is featured on page 12 of their catalogue – it’s the second mechanism from the left. The mechanism works very well, but my exposure to lead holders is limited, so I can’t really compare it.

There is also a ball point version available. This seems to be an afterthought that was designed in December 2000. The body is based on the 0.7 mm version body, the one without the grooves.

Lamy scribble 3.15

Lamy scribble 3.15

Hannes Wettstein post scribble

Hannes Wettstein and his studio later also went on to develop the studio for Lamy, which makes him one of the few select designers who designed more than one pen for Lamy. Hannes Wettstein died in 2008, but his design lives on. Current products by Studio Hannes Wettstein are created by Simon Husslein and Stephan Hürlemann and are very close to Wettstein’s design DNA. Look at this Braun watch for example.

 

Lamy scribble 3.15 mm and 0.7 mm version

Lamy scribble 3.15 mm and 0.7 mm version

Conclusion

It didn’t take long for these two mechanical pencils to become my current favourites. There are other pencils that I like for their design, but I love the scribble because it’s so comfortable to hold (the grip diameter is surprisingly comfortable and the weight distribution is very good, too) and looks so good. It’s just a shame there’s no 0.5 mm version available, but my understanding is that as users of the scribble Hannes Wettstein had architects and designers in mind who want to liberally put their drawing lines on a blank canvas. A thin line just isn’t suitable for that purpose.


I’s like to thank Simon Husslein from Studio Hannes Wettstein for answering all my questions about the scribble patiently. All the information about the design process came from Mr Husslein.

You can find more information about the Lamy scribble at Pencil Revolution, Jack the Scribbler (ballpoint version) and Dave’s Mechanical Pencils.

Only slightly related: There’s a great article on the Fountain Pen Network: Lamy 2000 and the Origins of “Lamy Design”

The quotes in this blog post have been taken from the following book:
Studio Hannes Wettstein. Seeking Archetypes. 2011. Lars Müller Publishers, Zürich.

  1. They send pens to several bloggers. You don’t have to pay for the pens, but are expected to write a blog post about the pens. []
  2. Germany, like most European, African and South American countries, adopted the comma as their decimal mark. []
  3. see NZZ: Suche nach den Archetypen von morgen, 7 July 2008 []
  4. I’d like to thank Lamy’s Marco Achenbach for this information. []
  5. depending on where you hold this pen []
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Happy Belgian National Day!

Belgium. Home of our president, home of The Pencil Case Blog, home of the chips (and moules-frites), home of SG-1′s favourite toy, home of many fantastic comic artists and comic strips1, home of some crazy music and home to some of the best2 notebooks in the world…

…and today is the Belgian National Day!

In a perfect world I’d now show you a picture of a Belgian pencil sharpened with a Belgian blade. Unfortunately I have to make do with no Belgian pencil, but at least some fantastic Belgian paper. For the photo I could even choose between different brands, but I picked Atoma paper. Regarding the blade, I chose a Dutch one, from Apeldoorn – the Netherlands is a neighbour of Belgium. About the pencil, I chose a German one, again it’s a neighbour of Belgium, plus the National Day “commemorates the day on which Leopold I took the constitutional oath as the first King of Belgium, on July 21st 1831″3. Leopold I of Belgium was born in Coburg, which is in Franconia – and this pencil was made in Franconia, too. Happy Belgian National Day

 

 

  1. from Macherot, Turk, Morris, Hergé, Peyo, … []
  2. imho []
  3. see http://www.belgium.be/en/about_belgium/country/belgium_in_nutshell/symbols/national_holiday/ []
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Happy Independence Day!

As a pencileer, molyvophile and molyvologue1 I couldn’t think of a better way to celebrate Independence Day than to sharpen an American pencil with an American blade.

…but which pencil to choose? In the end I narrowed it down to the Mongol and the Ticonderoga. As these pencils where also made in other countries I obviously only put the American made versions on the short list.

Independence Day Mongols

In the end I did go with the Ticonderoga, just because I thought Faber-Castell takes some of the emphasis on the USA away. So, the chosen pencil is the Dixon’s American Ticonderoga. I did have a few of them in stock, but haven’t actually used them yet. My Ticonderoga experience so far was limited to the ‘Korean’ Ticonderogas, the awful Ticonderoga Renew and the Microban Ticonderogas.

Independence Day Ticonderoga

The knife was easy to choose, my Leatherman Style CS …just because it is the only knife I own that is, as far as I know, made in the United States of America.

Independence Day Leatherman

OK, let’s start sharpening. Because I only have a few of these American made Ticonderogas I want a less acute angle than usual – I just don’t want to waste too much of the nice pencil.

Independence Day Sharpening

I don’t want to go for a proper obtuse angle either, as that would probably be a very strange writing experience.

Independence Day Point

Here way are. By the way, the American blade was sharpened with something American, too: The Spyderco Tri-Angle Sharpmaker, which could also be used to sharpen blades of pencil sharpeners.

Independence Day Point Close

Happy Independence Day!

Happy Idependence DayAs usual, please click on the pictures to see them in a higher resolution.

  1. See explanation in this blog post. []
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Noris of the Woods

More Noris spotting!

I was lucky enough to spot several Staedtler Noris pencils in the BBC’s national and regional news in the last couple of days. One of the regional news clips was even filmed just around the corner.

…but Sean has sent me an even more exciting Noris spotting:
The 6-part series from the BBC called The Story of England by Michael Woods features Staedtler pencils in several shots. Here’s a photo from this series, featuring a Welsh-made Noris.

Image © Maya Vision / BBC

Image © Maya Vision / BBC


I believe that the use of the the screen shot of the Noris pencil, taken from Michael Wood’s Story of England falls under “fair dealing” as described by the UK Copyright service.

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